Shine Like a Diamond. . . .

Which is exactly what this fantastic faceted vase does! In fact, this stunning example of mid-century Swedish art glass is named "Diamant" after that very gemstone. 

Underneath the vase is signed "Stromberg B 950." 

The vase was designed by Asta Strömberg (1916–2011), one of Sweden's most respected glass artists, for Studioglas Strömbergshyttan. "B" stands for blomvas, Swedish for " flower vase," and "950" is the model number. 

Strömbergshyttan was founded in 1876 as "Lindefors," but was rechristened Strömbergshyttan in 1933 when the married couple, Edvard and Gerda Strömberg, took over operation of the company, and later became its owners. Gerda was already a recognized designer and Edvard, who had previously worked at the famous Kosta and Orrefors glassworks, bought with him a team of skilled glassblowers.

After Edvard’s death, the management of the glassworks was taken over by his son Erik and his daughter-in-law Asta, who became world renown as a glass designer. She is known for her substantial handblown works cut in geometric shapes with tints of color. Her "Diamant" series was one of her most popular designs and still is highly sought after by collectors of art glass and mid-century modern design. 

In 1976, the company was purchased by Orrefors in 1976.

All posted items are for sale at Next-to-New, but things can sell quickly!

17106-2

You'll Get a Bunch of Compliments. . .

 . . . if you install this fun and funky mid-century modern swag light of ruby red lucite balls in the form of a gorgeous group of glowing giant grapes.

The American company Dupont introduced a form of acrylic under the brand name lucite in 1931. Because of its clarity, durability, the ability to easily mold it into different shapes, and its light weight, during WWII, lucite was adapted for a wide variety of military uses, including aircraft canopies and submarine periscopes. After the war, lucite's durability and its ability to be cast in a wide variety of shapes and colors made it attractive to designers, and lucite began appearing in jewelry, handbags, and home furnishings and decor.

In the 1960s and 1970s, there was a fad for vibrantly colored fruit, especially grapes. Lucite grapes, in jewel tones never found in nature, were the perfect touch for a Pop Art era home. The grapes were  attached to wooden stems and adorned with plastic leaves. While some of these bright bunches were manufactured, many of these fun fruits were created by home crafters (some collectors say that you can distinguish the factory fruit from home crafted because the factory grapes are perfectly round, while those used in by home hobbyists have a flat area or knob where the wire connected to the grape). One story credits Mormon housewives for starting the trend, creating bunches of grapes as gifts and to earn a little extra revenue. LeeWards, a chain of craft and fabric stores, in the 1960s and 70s offered kits for making lucite grape decor alongside its macrame and hook rug crafts. This page from the company's 1969 catalog offers a kit to make "one of the more striking and unique lamps we've ever offered," a $17.95 kit that would allow the crafter to create at home a grape lamp that "would cost at least $50" in a store. Whether factory or home made, vintage lucite grapes are now highly sought after by collectors and those wanting to add a vintage pop of color to their homes.

All posted items are for sale at Next-to-New, but things can sell quickly!

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Setting A High Bar. . .

And certainly there can be no higher bar than this magnificent mirrored mid-century marvel! 

The front of mobile bar is adorned with a mirror painted with vibrantly-colored symbols of all sorts of pleasurable pastimes, from cards, dice, checkers, and chess, to, of course, adult libations. 

The mirrored door pivots, revealing racks and shelves for all your finest beverages and barware. 

The inside of the door carries the label "Bar Tugas Modele Depose." "Modèle déposé" is French for "registered design," denoting that a specific design has been officially registered with the relevant authorities, barring unauthorized copying or use. In 1944, Joseph Tugas and his wife Ginette founded the company Meubles Tugas in Béziers, France. Joseph gained fame for his mobile bars with the specially designed pivoting door, which Meubles Tugas produced in a variety of sizes and styles. 

An early catalog page from  Meubles Tugas demonstrating the pivoting door.

This extraordinary bar is the epitome of early mid-Century modern furniture. Stretching from 1945 through the 1960s, and influenced by European movements such as the German Bauhaus school and Scandinavian design, mid-century modern is characterized by the simplicity of its style, the extensive use of natural materials, with an emphasis on craftsmanship and clean, uncluttered silhouettes. The movement also took advantage of new materials and manufacturing processes, combining and contrasting natural materials with man-made materials such as chrome, laminate, and mirrors. The top of the bar has an etched mirror framed by chrome railings.

In fact, the sides and back are all covered with mirrors, so that no matter where you move this convenient and compact bar, it blends chameleon-like into its surroundings. And it would certainly blend into any home decor, from traditional to art deco. Other than a crack in the mirror on the left side and a some small scattered surface wear to the wood, this unusual and unique bar is in extraordinary condition for its age.

All posted items are for sale at Next-to-New, but things can sell quickly!

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