Unforgetable. . . .

They say an elephant never forgets. Well, this unusual and elegant elephant table is certainly memorable!

Of bronze, with a leather-covered base and a beveled glass top, this extraordinary end table is by Paul Maitland-Smith Ltd. and dates from the 1970s-80s.  Paul Maitland-Smith began his career as a London antiques dealer, specializing in rare and unusual finishings and decorative items. In 1979, he founded his eponymous company in Hong Kong, reproducing Chippendale chairs well as other 18th Century furniture and decorative accessories. His carefully curated creations, crafted by hand, often used unique or costly materials, such as brass, bronze, eggshell, lacquer, leather, mother-of-pearl, porcelain, stone, and wrought iron. Skilled artisans reproduced intricate designs in marquetry, inlay, reverse-painted glass, and gilding. In 1981, he opened a factory in the Philippines and was one of the first entrepreneurs to operate in Vietnam. Maitland-Smith valued his employees and artisans, paying them good salaries and providing on-site health centers and shower facilities at his manufacturing operations. In recognition of his contributions to interior design and the home furnishings industry, Maitland-Smith was a 2019 inductee into the American Home Furnishings Hall of Fame. Maitland-Smith Ltd. still is renown for its high-end handcrafted furnishings incorporating exotic or whimsical elements inspired by antique and modern design and its vintage pieces are highly sought after by collectors and designers.

All posted items are for sale at Next-to-New, but things can sell quickly!

17201-1

You'll Be Bowled Over. . .

. . . by this massive bamboo magnum bowl, a collaboration between the famed French glassmaker Daum and international designer Emilio Robba. There were only 388 examples of the beautiful bowl ever made and we have one in our trove!

The bowl was made by a Daum, a crystal studio founded Nancy, France in 1878 and was created by an intricate process called pâte de verre (glass paste). Although this technique dates back to ancient Rome and Egypt, the process of pâte de verre was perfected in France during the art nouveau era of the early 1900s. Daum is currently the only crystal manufacturer still using this technique, which produces a luminous crystal sculpture with sharp details and soft gradations of color. The process requires multiple steps by skilled artisans. First, a sculpture is created and used to make a flexible mold. The mold is then filled with molten wax. After the wax hardens, it is removed from the mold and any imperfections are smoothed over. The wax is then encased in plaster. One the plaster is dry, it is heated and the melted wax is drained from the mold. This leaves a plaster mold, which is then cut open. After the plaster mold is cleaned of residue, an artisan, using "frit," a compound of finely ground crystal, carefully layers the different colors into the mold. The plaster mold is placed into a kiln and heated until the frit has melted. Once the plaster mold is removed from the kiln and allowed to cool, the plaster must be carefully broken away to reveal the sculpture. The remaining plaster is washed away and the crystal piece is polished, with details sometimes sharpened by hand with a special drill. Only after all these steps are complete and the piece passes a final inspection will it be signed "Daum France." This complex pâte de verre process means that every Daum sculpture is unique.

The piece is etched on the bottom "131/388," indicting that it is the 131st  of the limited 388 edition. It signed both the "Daum France" and "Emilio Robba."

Emilio Robba was born in Italy and studied at the prestigious Beaux-Arts School of Design. An international traveler and photographer, he focused on natural forms. Prestigious designer Pierre Cardin asked Robba to create a retail store selling elaborate and artistic flower arrangements under the “Maxim’s de Paris” label. Dubbed the“Sculptor of Flowers,” Robba founded the Emilio Robba Company, which works with individual clients, as well as architectural and interior design firms, hotel groups and international cruise lines, to create permanent floral and landscape designs. His award-winning creative and sculptural floral arrangements have become synonymous with luxury. Robba's deep knowledge of nature shows in the fine details of the bamboo bowl. 

All posted items are for sale at Next-to-New, but things can sell quickly!

17125-1

 

Lady with the Lamp

Actually, currently in our trove we have two very lovely ladies with lamps. 

Of spelter, a zinc alloy that resembles bronze, patinaed in antique white, each lamp has a plaque on the front of the base. The gorgeous gal on the globe is captioned "Clair de Lune par Bruchon" (Moonlight by Bruchon), while her pretty partner is "Crépuscule par Bruchon" (Twilight by Bruchon).

Each also carries the incised signature "Bruchon" 

Émile Jean Baptiste Bruchon (1838–1909) was a French sculpture of the Belle Époque best known for his smaller bronze statues, often incorporated as decorative motives on utilitarian items such as lamps and clocks. Born in Paris, he studied under Mathurin Moreau, one of the most influential French sculptors of the 19th century, and his works were exhibited in Paris Salon. Finely detailed and often depicting graceful, fluid motion, Bruchon's works typically portray figures from mythology or literature.

All posted items are for sale at Next-to-New, but things can sell quickly!

16151-2763, 2764

Shine Like a Diamond. . . .

Which is exactly what this fantastic faceted vase does! In fact, this stunning example of mid-century Swedish art glass is named "Diamant" after that very gemstone. 

Underneath the vase is signed "Stromberg B 950." 

The vase was designed by Asta Strömberg (1916–2011), one of Sweden's most respected glass artists, for Studioglas Strömbergshyttan. "B" stands for blomvas, Swedish for " flower vase," and "950" is the model number. 

Strömbergshyttan was founded in 1876 as "Lindefors," but was rechristened Strömbergshyttan in 1933 when the married couple, Edvard and Gerda Strömberg, took over operation of the company, and later became its owners. Gerda was already a recognized designer and Edvard, who had previously worked at the famous Kosta and Orrefors glassworks, bought with him a team of skilled glassblowers.

After Edvard’s death, the management of the glassworks was taken over by his son Erik and his daughter-in-law Asta, who became world renown as a glass designer. She is known for her substantial handblown works cut in geometric shapes with tints of color. Her "Diamant" series was one of her most popular designs and still is highly sought after by collectors of art glass and mid-century modern design. 

In 1976, the company was purchased by Orrefors in 1976.

All posted items are for sale at Next-to-New, but things can sell quickly!

17106-2

You'll Get a Bunch of Compliments. . .

 . . . if you install this fun and funky mid-century modern swag light of ruby red lucite balls in the form of a gorgeous group of glowing giant grapes.

The American company Dupont introduced a form of acrylic under the brand name lucite in 1931. Because of its clarity, durability, the ability to easily mold it into different shapes, and its light weight, during WWII, lucite was adapted for a wide variety of military uses, including aircraft canopies and submarine periscopes. After the war, lucite's durability and its ability to be cast in a wide variety of shapes and colors made it attractive to designers, and lucite began appearing in jewelry, handbags, and home furnishings and decor.

In the 1960s and 1970s, there was a fad for vibrantly colored fruit, especially grapes. Lucite grapes, in jewel tones never found in nature, were the perfect touch for a Pop Art era home. The grapes were  attached to wooden stems and adorned with plastic leaves. While some of these bright bunches were manufactured, many of these fun fruits were created by home crafters (some collectors say that you can distinguish the factory fruit from home crafted because the factory grapes are perfectly round, while those used in by home hobbyists have a flat area or knob where the wire connected to the grape). One story credits Mormon housewives for starting the trend, creating bunches of grapes as gifts and to earn a little extra revenue. LeeWards, a chain of craft and fabric stores, in the 1960s and 70s offered kits for making lucite grape decor alongside its macrame and hook rug crafts. This page from the company's 1969 catalog offers a kit to make "one of the more striking and unique lamps we've ever offered," a $17.95 kit that would allow the crafter to create at home a grape lamp that "would cost at least $50" in a store. Whether factory or home made, vintage lucite grapes are now highly sought after by collectors and those wanting to add a vintage pop of color to their homes.

All posted items are for sale at Next-to-New, but things can sell quickly!

16557-192

 

Setting A High Bar. . .

And certainly there can be no higher bar than this magnificent mirrored mid-century marvel! 

The front of mobile bar is adorned with a mirror painted with vibrantly-colored symbols of all sorts of pleasurable pastimes, from cards, dice, checkers, and chess, to, of course, adult libations. 

The mirrored door pivots, revealing racks and shelves for all your finest beverages and barware. 

The inside of the door carries the label "Bar Tugas Modele Depose." "Modèle déposé" is French for "registered design," denoting that a specific design has been officially registered with the relevant authorities, barring unauthorized copying or use. In 1944, Joseph Tugas and his wife Ginette founded the company Meubles Tugas in Béziers, France. Joseph gained fame for his mobile bars with the specially designed pivoting door, which Meubles Tugas produced in a variety of sizes and styles. 

An early catalog page from  Meubles Tugas demonstrating the pivoting door.

This extraordinary bar is the epitome of early mid-Century modern furniture. Stretching from 1945 through the 1960s, and influenced by European movements such as the German Bauhaus school and Scandinavian design, mid-century modern is characterized by the simplicity of its style, the extensive use of natural materials, with an emphasis on craftsmanship and clean, uncluttered silhouettes. The movement also took advantage of new materials and manufacturing processes, combining and contrasting natural materials with man-made materials such as chrome, laminate, and mirrors. The top of the bar has an etched mirror framed by chrome railings.

In fact, the sides and back are all covered with mirrors, so that no matter where you move this convenient and compact bar, it blends chameleon-like into its surroundings. And it would certainly blend into any home decor, from traditional to art deco. Other than a crack in the mirror on the left side and a some small scattered surface wear to the wood, this unusual and unique bar is in extraordinary condition for its age.

All posted items are for sale at Next-to-New, but things can sell quickly!

12706-4044

The Road to the White House. . .

. . . has never been quite this colorful. Entitled "The White House," this vivid watercolor features the simple eponymous white structure surrounded by expressionist bold brushstrokes of aqua, blue, and violet.

This kaleidoscopic painting is by Austin artist Randolph B. Howard. Born in Midland, Texas, Howard entered the University of Texas as a music major studying piano. However, a broken hand and encouragement from an art professor turned Howard toward drawing and painting. He graduated from the university with a Bachelor of the Arts and then traveled for the next six years, earning money by designing and selling tee-shirts for rock and roll bands. He then attended the Pratt Institute in New York City, receiving his Master of Fine Arts. In 1990, Howard received a visual arts fellowship grant from the National Endowment for the Arts in recognition of his painting. He has painted in a variety of styles and media, including bright abstract watercolors such as this one, full of vibrancy and motion. Currently Howard, who maintains a studio in Austin, is concentrating on landscapes painted in encaustic, a mixture of oil paint and wax. The painting is signed and dated by Howard and has Howard's studio label on the back.

All posted items are for sale at Next-to-New, but things can sell quickly!

16914-76

Utterly Disarming. . .

This charming sculpture depicts Venus, the Roman goddess of love and beauty, about to break the bow of her son, Cupid, across her knee, while the winged boy pleads with his mother to stop. 

Cupid was god of desire and whomever he struck with one of his arrows, whether mortal or deity, was seized with overwhelming passion and desire. The image of Venus disarming Cupid by breaking or taking away his bow was a popular scene in classical art and is drawn from Metamorphoses, the most famous work by the ancient Roman poet Ovid. In the poem, Cupid accidentally scratches Venus with one of his arrows. This results Venus falling madly in love with the mortal hunter, Adonis. After Adonis dies in a hunting accident, Venus punishes Cupid for exposing her to the torments of love by taking away his bow.

Of heavy metal with a golden bronze tone, this antique statue is superbly sculpted and cast.

 

The base has the partial signature of "Duchoiselle," a French sculptor active from 1840 through 1890. Though little is known of his life, he created a wide variety of sculptures in bronze, ranging from classical and historic subjects to detailed depictions of Native Americans. He also credited with ceiling reliefs for the Louvre and the Paris Opéra.

All posted items are for sale at Next-to-New, but things can sell quickly!

1677-1585

Striking Oil

The idiom "striking oil" means to have sudden success or to have found something valuable. You will certainly feel as if you have struck oil with the marvelous mid-century modern cocktail set adorned with oil derricks and trimmed with gilt bands. The set includes a pitcher, six low-ball or old-fashioned glasses, and a matching serving tray.  It will certainly add a true taste of Texas to your next cocktail party or you could use it to reenact your favorite episodes of "Dallas" and get in touch with your inner J.R. Ewing.

This ultra-retro cocktail set was created by Lotus Glass Company. Established in Barnesville, Ohio, in 1911, as the Lotus Cut Glass Company, the company changed its name and focus as the fashion for cut glass began to fade after WWI. It began decorating glass blanks purchased from other companies, such as  Cambridge, Fostoria, Heisey, Imperial, Lancaster, Tiffin, Viking, and Westmoreland. In 1928, Lotus introduced silver plate decoration on its glassware and later began using 22 and 24 karat gold. Lotus started using a silkscreen process in the 1950s, which allowed it to create a wide variety of graphic designs The company closed in December of 1995. 

All posted items are for sale at Next-to-New, but things can sell quickly!

857-3542

You'll Want to Experiment With. . .

. . . with this authentic antique laboratory cabinet. Whether adding an unusual accent to your kitchen, looking for a unique wine cabinet, or you just need more counter space in your secret laboratory under the extinct volcano, this wonderful oak cabinet may have just the right chemistry for your decor.

The cabinet still has its original zinc countertop. Zinc was favored in laboratory settings because it is a nonporous metal with natural antibacterial and antimicrobial properties. It is durable and easy to clean, although it could be scratched. Decades of use have given the zinc top a subtle marbled patina.

The drawers are numbered and have locks (although the keys have been lost to time). The cabinet doors also once locked. 

 All posted items are for sale at Next-to-New, although things can sell quickly!

17028-14

Inspired!

That is what you will be sitting at this elegant, extraordinary, and unique antique writing desk with its matching chair.

Of beautiful warm wood, this desk shows the influence of the art nouveau period, an artistic movement from the 1890s through 1910s that looked to nature for inspiration and is exemplified by undulating lines.  Art nouveau was a reaction against staid academic art and the overdone and eclectic Victorian decor that jumbled together influences from disparate cultures and eras, from the Middle East to Gothic cathedrals. The term, meaning "New Art," was first used in the 1880s, but was popularized by the opening in 1895 of the Maison de l'Art Nouveau, an art gallery in Paris. Art nouveau furniture was influenced by the earlier British Arts and Crafts movement, which was also a rejection of overly ornate and imitative Victorian decor. As much as social as a decorative movement, Arts and Crafts denounced industrialization and the denigration of craftsmen, creating hand-crafted pieces of natural materials with form that fit function and understated decoration. 

The top of the desk is hinged and lifts up, revealing a place to store books and papers. Atop the desk is a carved penholder and a metal ink pot so that one's writing materials are always conveniently at hand for when inspiration strikes.

Both the chair and desk are adjustable, allowing for custom comfort while you write.

All posted items are for sale at Next-to-New, but things can sell quickly!

8402-7665

A Bird in the Hand. . .

. . . is worth two in the bush. But with this beautiful bird-bedecked vase you get both, plus a dainty and demure damsel.

This vase is from the porcelain manufacturer of Rosenthal. Founded in 1879 as a porcelain painting company by Philipp Rosenthal in Germany, Rosenthal  later expanded into manufacturing its own porcelain products. Following WWII, Rosenthal became renown for its focus on modern design and collaborating with contemporary artists and designers. One of its best known, and beloved, collaborations was with famed Danish artist Björn Wiinblad (1918–2006). Wiinblad was hired as a designer by Rosenthal in 1957 and worked with the company for almost 50 years. This vase is one of the designs Wiinblad created for Rosenthal. It features all the hallmarks of Wiinblad's art, such as sinuous lines in sensuous curves, a full-figured lovely lady with sultry eyes and a serene expression, and subtle splashes of bright colors. 

As a child, Wiinblad wanted to be an artist, but his father insisted that he learn a skill and in 1935, Wiinblad trained as a typographer, He was not an ardent student, often spending his time writing poetry or drawing. In 1940, Wiinblad started studying at the Royal Danish Academy of Fine Arts. There he met fellow student Lars Syberg, who introduced Wiinblad to ceramics. After graduating in 1945, Wiinblad debuted with an exhibition of his decorated ceramics, as well as his drawings and illustrations, at a small gallery in Copenhagen. The exhibition was a success and the pottery factory Nymølle hired Wiinblad as a designer. Nymølle's goods were affordable for many Danes and ceramics decorated with Wiinblad designs became fixtures in homes throughout Denmark. Wiinblad also continued creating illustrations as well as working in theatre design and opening his own pottery workshop. Over the years, Wiinblad won many awards and honors.

All posted items are for sale at Next-to-New, but things can set quickly!

15600-861

Yessiree, Bob!

That's what you'll exclaim when you see this wonderful whimsical Bob White ware by Red Wing Potteries, Inc. Introduced in 1954, this hand-painted pattern was one of Red Wing's most popular dinnerware lines (some say the pattern got a boost when the "Playboy" February 1956 centerfold featured Playmate of the Month Marguerite Empey breakfasting in bed from a set of Bob White).

 

In 1861, German immigrant John Paul purchased land in Minnesota, planning on farming. Instead, he discovered a vein of clay. Paul had been a potter, and recognizing the value of his find, he used the clay to produce terracotta and stoneware in nearby Red Wing. The early production was mainly utilitarian, such as crocks, jugs, bowls, water coolers, and even sewer pipes. In the early 1930s, the company began producing more decorative and artistic items, with a variety of glazes and shapes, and in 1935, introduced its first line of dinnerware. In 1936, the company was rechristened Red Wing Potteries. It continued the practice of hand-decoration, giving its creations a unique look, and filling the growing demand for quality casual tableware. Charles Murphy, who created the Bob White line, became the head designer for Red Wing in 1941.

However, the company began to struggle following WWII, when inexpensive china and pottery from Japan and other countries began to flood the American market. In 1967, the company closed.

All posted items are for sale as Next-to-New, but things can sell quickly!

857-3435, 3456, 3457, 3458